JUDE HARZER FINE ART

When we least expect it, life sets us a challenge to test our courage and willingness to change; at such a moment, there is no point in pretending that nothing has happened or in saying that we are not ready. The challenge will not wait. Life does not look back. A week is more than enough time for us to decide whether or not to accept our destiny.”~ Paul Coelho

"Some Mad Hope..."
A young and vital child knows no limit to his own will, and it is the only reality to him. It is not that he wants at the outset to fight other wills, but that they simply do not exist for him. Like the artist, he goes forth to the work of creation, gloriously alone.
Jane Harrison

Jude Harzer Artist/Art Educator

Jude Harzer Artist/Art Educator
My art is a reflection of my effort to recognize and embrace the beauty in the world around me, even when it seems most difficult to find. Contact me at judiharz@aol.com or visit my website at http://www.judeharzerfineart.com

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http://www.judeharzer.com

"Most of us have two lives- the life we live, and the unlived life within us. Between the two stands resistance."Steven Pressfield

"The greatest freedoms are freedom from regret, freedom from fear, freedom from anxiety, and freedom from sorrow."
Thich Nhat Hanh

Saturday, November 28, 2009

Precious Patterns

Painted on unstretched canvas, this image explores several of my most valued sources of inspiration: children's portraiture, pattern and color. Master illustrator, fine artist,photographer and film maker,George Pratt, generously allowed me to use an image of his beautiful daughter as a resource for this painting. I am interested in textile design and the integration of other materials and processes with traditional oil painting. The preciousness of painting with oils,is reduced by the free flowing canvas and the use of embroidery floss and waxed linen to join and embellish this work.I wanted to create something more intimate and accessible.
One objective was to abstract pattern so that it appears visually authentic although no attention was given to the "rational" use of light and dark, shadows, contours or space. The lower patterns are disconnected from the upper portrait, aside for the use of a common palette. I like that these two compositions can be viewed as independent and solid works. They are aesthetically strong when separate, but more pleasing and complimentary presented together:)
I am anxious to finish the stitching after the paint is varnished. Another image of little Miss Mary is in the works!



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Jude, Art and Inspiration