As a pre-teen, I taught myself how to draw the human face and figure by pouring over Seventeen Magazine advertisements featuring Christie Brinkley and Cheryl Tiegs and the apparel sections of the voluminous annual Sears Christmas catalogue. Basically, I used whatever visual references were available and trust me, there weren't many. On butcher's paper that I "borrowed" from my Mom's kitchen, I made detailed and time consuming pencil studies of eyes, faces and torsos. Substrates were limited as well and so I carefully rolled out several feet of this clean white surface onto the crowded floor of a bedroom I shared with my two sisters and then would spend hours looking and copying without any regard for rules or technique. I just felt the need to draw people, particularly kids, and as I recall, my five siblings were not the most stationary subject matter . I made work and either discarded it or tucked it safely under my bed. I was more interested in learning and improving than sharing my art.
Since then of course, I have had the experience of drawing from life using a model . It is an invaluable resource that has enriched my work but it is not always convenient or affordable. So photographs are my "go to" for subject references, made even more accessible by the immediacy of digital photography and top notch editing programs. I encourage my students to use every resource possible but not to rely on any one of them exclusively. They are simply" tools" that when paired with the experience, knowledge, skill and imagination of the artist, can strengthen and inform their work. There is no magical singular solution or "way." I only know what I feel works for me and that is what I share but always with the willingness to try alternate methods and new materials.
During the past two years I have been teaching basic Digital Photography and Photoshop editing at the high school level . I had no prior experience and had to learn along with my class. It has significantly impacted my own way of "seeing" and has exposed me to the works of some masterful contemporary photographers who create imagery that seems as precious to me as the finest oil paintings on Belgian linen. These artists happen to all be women. They capture the human form while telling some underlying and often thought provoking story, whether or not that was their intention. Intensely captivating children are featured as subject for a few of them. I am drawn to them. I hope that my paintings share a similar sensibility. So I thought I'd share the excellence of their work.
I was asked why I don't just make photos. Because when I paint, I am aware how much I love the process , the error and the evidence of my very own fumbling marks when using pigment .
Here are a few of my favorite photographers:
1. Sally Mann
2.Francesca Woodman
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Francesca Woodman
b. 1958-1981 Denver, CO
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3. Diana Arbus
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Diane Arbus
b. 1923-1971 New York , NY
diane-arbus-photography.com
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4. Loretta Lux
5. Deborah Parkin
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| Deborah Parkin |
http://deborahparkin.com/
7. Tierney Gearon
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Tierney Gearon
b. 1963 Atlanta, GA |
http://www.tierneygearon.com/
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